|Title||: Best Electronic Music - NEFFEX Head Down 👊 Copyright Free - Best Electronic Music 2018|
|Size||: 4.15 MB|
|Type||: Audio / Mpeg|
|Bitrate||: 192 KBPS|
|Author||: Mega Music|
Description:Best Electronic Music - NEFFEX Head Down 👊 Copyright Free - Best Electronic Music 2018
Best Electronic Music: Each passing year seems to bring more hand-wringing over the so-called ""EDM bubble."" Whether or not the shiny, mainstream, pop-dance sphere is set to burst, electronic music, as it always does, continues to rave on. This year's best albums prove the ostensible underground's in tip-top health, with dance fans ready for a darker and headier bent, from challenging young artists like Nicolas Jaar and Arca to weirdo vets like Autechre and Aphex Twin. On the other end of the spectrum, mainstream standouts like Kygo, Flume and Eric Prydz continued to make stellar album statements in an environment of singles and Soundclouds. In between, slinky R&B, downtempo and outré techno helped out another bumper crop of the year's best.
channel credits - Música NEFFEX"
"Best Electronic Music: Without Mark Ernestus, techno might have never taken root on the continent, as his Berlin shop Hard Wax served as a beacon for electronic music and musicians of all calibers since the fall of the Wall. But it's his work with Basic Channel and Rhythm & Sound that made him a legend, establishing the template for the nerve-pummeling minimal techno that powers the city's superclubs to this day. Ernestus stepped away from the techno capital and Europe entirely for this project, traveling to Africa and emerging with a clutch of Senegalese mbalax drummers. With Ndagga Rhythm Force, Ernestus and crew concoct a minimal percussive sound every bit as mesmerizing and concussive as EDM.
Best Electronic Music: Two dance-music architects form one monumental brain and go all-in for deep dub techno of the most mantric and mesmerizing kind. The label, Tresor, counts as a stamp of techno at its most serious and austere, and the cast is formidable: Juan Atkins, from techno's origin story in early-1980s Detroit, and Moritz Von Oswald, part of the Berlin-based sound and movement surrounding his formative act Basic Channel. Together they commune so fully as to make their individual contributions hard to identify, but that bodes well for a throbbing and sensuous sound that warmly pulses, pulses and pulses some more. A.
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